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The existence of this statue adds undoubtedly a touch of special human interest to the whole building, and we find our minds excited by the brief inscription which still informs the curious that the fullers of Pompeii erected this portrait in marble in grateful appreciationto Eumachia, a city-priestess, daughter of Lucius Eumachius.”

The names of many of its prominent citizens are certainly familiar to us from inscriptions found, yet who were these persons that we should take so deep an interest in their lives and fates? Who were Pansa the ædile, Eumachia the priestess, Caecilius Jucundus, Aulus Vettius and Epidius Rufus, and a score of other Pompeian worthies?

It was this lady who generously presented this structure, one of the handsomest and most solid of the public buildings of the city, to the fullers to serve as their exchange, wherein goods might be exposed upon benches and tables for the convenience alike of sellers and purchasers. “Priestess Eumachia,” remarks a modern critic, “has done the thing well; no expense has been spared in the building and its decorations.

Close beside us on the eastern side of the Forum is set the Chalcidicum, the large building of the priestess Eumachia, one of the most gracious personalities of Pompeii with which the modern world has become acquainted.

B, Basilica. C, Temple of Apollo. D, D', Market Buildings. E, Latrina. F, City Treasury. G, Memorial Arch. H, Temple of Jupiter. I, Arch of Tiberius. L, Sanctuary of the City Lares. M, Temple of Vespasian. N, Building of Eumachia. O, Comitium. P, Office of the Duumvirs. Q, The City Council.