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The authorities of Padua identified the bodies of Vittoria and Flaminio, and sent at once for further instructions to Venice. Meanwhile it appears that both corpses were laid out in one open coffin for the people to contemplate. The palace and the church of the Eremitani, to which they had been removed, were crowded all through the following day with a vast concourse of the Paduans.

It is a different school of painting altogether that we see in the Piazzetta of Canaletto , perhaps the last picture painted by a Venetian in the gallery. Andrea Mantegna was born, not at Padua, where his greatest work is to be found three frescoes in the Eremitani but at Vicenza.

We feel ourselves beneath the sway of a gigantic genius, intent on solving the severest problems of his art in preparation for the portraiture of some high intellectual abstraction. It should also be observed that notwithstanding their frigidity and statuesque composure, the pictures of "S. Andrew" and "S. Christopher" in the chapel of the Eremitani reveal minute study of real objects.

His early frescoes in the Eremitani at Padua look as though they had been painted from statues or clay models, carefully selected for the grandeur of their forms, the nobility of their attitudes, and the complicated beauty of their drapery.

Douglas at first thought of going to her, if but for a moment; then decided that perhaps it would be best to let it be as she had so evidently chosen. In a few days they also left Venice, for Milan, stopping on the way for a day or two at Padua. They were to visit this city chiefly for the purpose of seeing Giotto's frescoes in the Arena Chapel, and Mantegna's in the Eremitani, although, as Mr.

Afterward they went to the Eremitani to see Mantegna's frescoes, and thought they could see in the noble work of this old Paduan master what Giotto might have done had he lived a century or more later. Mr.

All that the traveller has to do is to leave the train at Padua overnight and he will be very glad to do so, for that last five-hour lap from Milan to Venice is very trying, with all the disentanglement of registered luggage at the end of it before one can get to the hotel and spend the next morning in exploring Padua's own riches: Giotto's frescoes in the Madonna dell'Arena; Mantegna's in the Eremitani; Donatello's altar in the church of Padua's own sweet Saint Anthony; and so forth; and then in the afternoon take the tram for Fusina.

He seemed precisely to have sprung from that vanished race if, indeed, it ever existed, save in the reredos of San Zeno and the frescoes of the Eremitani, where Swann had come in contact with it, and where it still dreams fruit of the impregnation of a classical statue by some one of the Master's Paduan models, or of Albert Duerer's Saxons.

The life we vainly look for in the frescoes of the Eremitani chapel may be found here statuesque, indeed, in style, and stately in movement, but glowing with the spirit of revived antiquity.

There was time to make madrigals, to make eyes, to make love, to imagine portraits. Mantegna was painting giants in the Eremitani and Bellini picking his brains, but not as yet a quarrel.