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To render the specific character of each plant with greater precision would be impossible. See the series of anatomical studies of the horse in the Royal Collection. Engraved by Edelinck. The drawing has obvious Lionardesque qualities; but how far it may be from the character of the original we can guess by Rubens' transcript from Mantegna.

The procession started in the following order: a division of cuirassiers, a squadron of mounted militia, three postilions, the Prince of Paar, Director of the Posts, in a carriage with six horses; following came four carriages, each with six horses, containing Count Edelinck, Grand Master of the Court, and the chamberlains; Counts Eugene of Hangevitz; Domenic of Urbua; Joseph Metternich, Landgrave of Fuerstenberg; Counts Ernest of Hoyes and Felix of Mier; Count Haddick, Field-Marshal; the Count of Wurmbrand; Count Francis Zichy; Prince Zinzendorf; Prince Paul Esterhazy; Count Antony Bathiani; then the Prince of Trautmannsdorf, First Grand Master of the Court, and Quartermaster, in a carriage with six horses; then, in one with eight horses, the Empress of the French, having with her the Countess of Lazansky, grand mistress of her household; finally, in three carriages with six horses each, her ladies-in-waiting, the Princess of Trautmannsdorf, Countesses O'Donnell, of Sauran, d'Appony, of Blumeyers, of Traun, of Podstalzky, of Kaunitz, of Hunyady, of Chotek, of Palfy, of Zichy.

It belonged to the old collection of the crown, and is engraved by EDELINCK. Although superior to the Madonna di Foligno as to style and composition, it is inferior in the representation of the child, and in vigour of colouring. N deg. This is the last production of RAPHAEL, and his most admirable chef d'oeuvre as to composition and grace of the contours in all its figures.

For fourteen years he worked for Louis XIV., representing his life and his conquests, at Versailles; painting for the Louvre the victories of Alexander, which were engraved almost immediately by Audran and Edelinck. He was jealous of the royal favor, sensitive and haughty towards artists, honestly concerned for the king's glory and for the tasks confided to himself.