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They are not, it is said, very brilliant, in a musical point of view, but contain numberless good-natured, simple appeals to the affections, which people understood better than the milk-and-water lagrime, sospiri, and felicita of the eternal Donizettian music with which we are favoured now-a-days.
"Tristan and Isolde" was completed in 1859, and Wagner would have much preferred to have its performance in Paris commanded by Napoleon in place of "Tannhäuser." What the Jockey Club would have done in that case is inconceivable, for, compared with "Tristan," "Tannhäuser" is almost Meyerbeerian, if not Donizettian.
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