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The colossal effigies of the fat women and the tuft-headed Circassian girls of cheap museums; the vistas of shabby cross streets; the survival of an old hip-roofed house here and there at their angles; the Swiss chalet, histrionic decorativeness of the stations in prospect or retrospect; the vagaries of the lines that narrowed together or stretched apart according to the width of the avenue, but always in wanton disregard of the life that dwelt, and bought and sold, and rejoiced or sorrowed, and clattered or crawled, around, below, above were features of the frantic panorama that perpetually touched his sense of humor and moved his sympathy.

The colossal effigies of the fat women and the tuft-headed Circassian girls of cheap museums; the vistas of shabby cross streets; the survival of an old hip-roofed house here and there at their angles; the Swiss chalet, histrionic decorativeness of the stations in prospect or retrospect; the vagaries of the lines that narrowed together or stretched apart according to the width of the avenue, but always in wanton disregard of the life that dwelt, and bought and sold, and rejoiced or sorrowed, and clattered or crawled, around, below, above were features of the frantic panorama that perpetually touched his sense of humor and moved his sympathy.

Such a canvas is one which Hawthorne loved to fill up with the shadowed lights, the melodramatic coloring and fantastic decorativeness of his fancies. The characters are, as always, few. There are but five of them, Hepzibah, Clifford, Phoebe, the daguerreotypist, and the Judge, with the contributory figures of Uncle Venner and little Ned Higgins.

He said that if the tasteful decorativeness of the thing did not kill it with the public outright, its literary excellence would give it the finishing stroke. Perhaps that might be overlooked in the impression of novelty which a first number would give, but it must never happen again.

He said that if the tasteful decorativeness of the thing did not kill it with the public outright, its literary excellence would give it the finishing stroke. Perhaps that might be overlooked in the impression of novelty which a first number would give, but it must never happen again.

And Germain Pilon's compromise with Italian decorativeness, graceful and fertile sculptor as his many works show him to have been, resulted in a lack of personal force that has caused him to be thought on the one hand "seriously injured by the bastard sentiment proper to the school of Fontainebleau," as Mrs.

Further discussion was precluded by the appearance of a station-carriage which turned in at the gate and stopped before them. Two officers descended and saluted. In summer uniforms of white linen with gold shoulder-straps, and shining top-boots, they rivalled the donkey-man in decorativeness. Constance received them with flattering acclaim, while she noted from the corner of her eye the effect upon Tony. He had not counted upon this addition to the party, and was as scowling as she could have wished. While the officers were engaged in making their bow to the others, Constance casually reapproached the donkeys. Tony feigned immersion in the business of strapping hampers; he had no wish to be drawn into any Italian tête-

Géricault died early and left but a meagre product. Delacroix is par excellence the representative of the romantic epoch. And both by the mass and the quality of his work he forms a true connecting link between the classic epoch and the modern in somewhat the same way as Prudhon does, though more explicitly and on the other side of the line of division. He represents culture he knows art as well as he loves nature. He has a feeling for what is beautiful as well as a knowledge of what is true. He is pre-eminently and primarily a colorist he is, in fact, the introducer of color as a distinct element in French painting after the pale and bleak reaction from the Louis Quinze decorativeness. His color, too, is not merely the prismatic coloration of what had theretofore been mere chiaro-oscuro; it is original and personal to such a degree that it has never been successfully imitated since his day. Withal, it is apparently simplicity itself. Its hues are apparently the primary ones, in the main. It depends upon no subtleties and refinements of tints for its effectiveness. It is significant that the absorbed and affected Rossetti did not like it; it is too frank and clear and open, and shows too little evidence of the morbid brooding and hysterical forcing of an arbitrary and esoteric note dear to the English pre-Raphaelites. It attests a delight in color, not a fondness for certain colors, hues, tints a difference perfectly appreciable to either an unsophisticated or an educated sense. It has a solidity and strength of range and vibration combined with a subtle sensitiveness, and, as a result of the fusion of the two, a certain splendor that recalls Saracenic decoration. And with this mastery of color is united a combined firmness and expressiveness of design that makes Delacroix unique by emphasizing his truly classic subordination of informing enthusiasm to a severe and clearly perceived ideal an ideal in a sense exterior to his purely personal expression. In a word, his chief characteristic and it is a supremely significant trait in the representative painter of romanticism is a poetic imagination tempered and trained by culture and refinement. When his audacities and enthusiasms are thought of, the directions in his will for his tomb should be remembered too: "Il n'y sera placé ni emblème, ni buste, ni statue; mon tombeau sera copié très exactement sur l'antique, ou Vignoles ou Palladio, avec des saillies très prononcées, contrairement

The music of "Tsar Saltan," for instance, for all its evocations of magical cities and wonder-towers and faëry splendor, impresses one as little more than theatrical scenery of a high decorativeness. It sets us lolling in a sort of orchestra-stall, wakes in us the mood in which we applaud amiably the dexterity of the stage-decorator.

To lament their lack of poetry is to miss their admirable rhetoric; to regret their imperfect feeling for decorativeness is to miss their delightful decorum.