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PREVILLE said of the latter as a comedian: "Leaving pleasantry out of the question, DAZINCOURT is well enough." Nothing can be added to the opinion of that great master. LAROCHELLE. He has warmth, truth, and much comic humour; but is sometimes a little inclined to charge his parts. He has a good stage face. It appears that he can only perform parts not overlong, as his voice easily becomes hoarse.
This amused me much on account of the comical scenes of which I was often a witness. Besides the young officers of Bonaparte's staff, his most frequent guests, he had also frequently at his table the ventriloquist Thiemet, Dugazon, Dazincourt, and Michau of the Theatre Francais, and a few other persons, whose names escape me at this moment.
Charmed by the talent of the French comedians, especially that of Talma, the Emperor Alexander sent very handsome presents to her as well as all her companions; he sent compliments to the actresses, and to the director, M. Dazincourt, whom he did not forget in his distribution of gifts.
She and Madame Barilli then divided the admiration of the public. The very evening or the day after the debut of Crescentini, the French stage suffered an irreparable loss in the death of Dazincourt, only sixty years of age.
I liked and esteemed sincerely Dazincourt, whose acquaintance I had made several years before his death; and few men better deserved or so well knew how to gain esteem and affection.
I will not speak of his genius, which rendered him a worthy successor of Preville, whose pupil and friend he was, for all his contemporaries remember Figaro as played by Dazincourt; but I will speak of the nobility of his character, of his generosity, and his well-tested honor.
I will not speak of his genius, which rendered him a worthy successor of Preville, whose pupil and friend he was, for all his contemporaries remember Figaro as played by Dazincourt; but I will speak of the nobility of his character, of his generosity, and his well-tested honor.
She and Madame Barilli then divided the admiration of the public. The very evening or the day after the debut of Crescentini, the French stage suffered an irreparable loss in the death of Dazincourt, only sixty years of age.
I liked and esteemed sincerely Dazincourt, whose acquaintance I had made several years before his death; and few men better deserved or so well knew how to gain esteem and affection.
Charmed by the talent of the French comedians, especially that of Talma, the Emperor Alexander sent very handsome presents to her as well as all her companions; he sent compliments to the actresses, and to the director, M. Dazincourt, whom he did not forget in his distribution of gifts.
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