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To some, mediæval art has appeared being led, Dante-like, by a magician Virgil through the mysteries of nature up to a Christian Beatrice, who alone can guide it to the kingdom of heaven; others have seen mediæval art, like some strong, chaste Sir Guyon turning away resolutely from the treacherous sorceress of Antiquity, and pursuing solitarily the road to the true and the good; for some the antique has been an impure goddess Venus, seducing and corrupting the Christian artist; the antique has been for others a glorious Helen, an unattainable perfection, ever pursued by the mediæval craftsman, but seized by him only as a phantom.
In the Strozzi chapel are an altar-piece and several wall-pictures by Andrew Orgagna. They are not so grandly conceived as that wondrous composition of his, the Triumph of Death, in the Pisan Campo Santo; but they are additional proofs of his intense and Dante-like genius. No doubt Dante influenced him deeply, as he did all his contemporaries, whose minds were fertile enough to ripen such seed.
The baronage of England is headed by the bishops; but, as we have already discoursed of those right reverend peers, we, Dante-like, will not reason of them, but pass on only remarking, as we pass, that it is held on good authority that no human being ever experiences a rapture so intense as an American bishop from a Western State when he first hears himself called "My lord" at a London dinner-party.
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