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That strange Christ of the Resurrection, as painted occasionally by Angelico, by Pier della Francesca, particularly in a wonderful small panel by Botticelli; the Christ not yet triumphant at Easter, but risen waist-high in the sepulchre, sometimes languidly seated on its rim, stark, bloodless, with scarce seeing eyes, and the motionless agony of one recovering from a swoon, enduring the worst of all his martyrdom, the return to life in that chill, bleak landscape, where the sparse trees bend in the dawn wind; returning from death to a new, an endless series of sufferings, even as that legend made him answer the wayfaring Peter, returning to be crucified once more iterum crucifigi.
Filled with wonder and awe, the Apostle exclaimed, "Domine quo Vadis," Lord, whither goest thou? To which the Saviour replied, turning upon Peter the old look of mournful pity when he denied Him in the High Priest's palace at Jerusalem, "Venio Roman iterum crucifigi," I go to Rome to be crucified a second time and then disappeared.
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