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Above the foundation walls, the ascending rows of seats, from the substructures up, should be built of stone and marble materials. The curved cross-aisles should be constructed in proportionate relation, it is thought, to the height of the theatre, but not higher than the footway of the passage is broad.
In each of the cross-aisles spectators stood or crouched against its back-wall, ducking their heads to avoid protests from the luckier spectators in the seats behind them. The upper colonnade was packed to its full capacity with standees. The program was unusual, gladiatorial exhibitions from the beginning of the show; and nothing else.
There are, of course, some things which, for utility's sake, must be made of the same size in a small theatre, and a large one: such as the steps, curved cross-aisles, their parapets, the passages, stairways, stages, tribunals, and any other things which occur that make it necessary to give up symmetry so as not to interfere with utility.
Then we are told that they demolished monuments, pulled down carvings, smashed the windows, destroyed the records, set up guard-houses in the cross-aisles, broke up the pavement, every day hunted a cat through the church, so as to enjoy the echo from the vaulted roof, and baptized a calf at the font.
If they are loftier, they will throw back the voice and drive it away from the upper portion, thus preventing the case-endings of words from reaching with distinct meaning the ears of those who are in the uppermost seats above the cross-aisles. In short, it should be so contrived that a line drawn from the lowest to the highest seat will touch the top edges and angles of all the seats.
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