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The village of Colonos, a mile from Athens, was his birthplace; and in his "OEdipus Coloneus," he makes his Chorus of village officials sing thus of their consecrated olive grove: Then they go on, this band of village elders, to praise the gods for their special gifts to that small Athenian land.

We are accustomed to give to all terrible or sorrowful events the appellation of tragic, and it is certain that such events are selected in preference by Tragedy, though a melancholy conclusion is by no means indispensably necessary; and several ancient tragedies, viz., the Eumenides, Philoctetes, and in some degree also the Oedipus Coloneus, without mentioning many of the pieces of Euripides, have a happy and cheerful termination.

The poet Sophocles, the rival and survivor of Euripides for he lived to extreme old age on being accused by his own son of insanity on the ground that the advance of age had destroyed his wits, is said to have produced that matchless tragedy, his Oedipus Coloneus, on which he happened to be engaged at the time, and to have read it aloud to the jury without adding another word in his defence, except that he bade them without hesitation to condemn him as insane if an old man's poetry displeased them.

"He shall repeat it!" cried the Captain, throwing off his assumption of the tragic father. The Oedipus Coloneus, the Lear the venerable victim of winter winds and men's ingratitude was transformed in a moment into an elderly Jeremy Diddler, lined with Lord Foppington. "He shall repeat it; I will have him at your feet to-morrow.

If their love is to be roused by words, the words must be as beautiful and as simple as the chorus in praise of Athens in the Oedipus Coloneus. But such words are not written except by great poets who actually feel what they write, and perhaps before we have a poet who loves London as Sophocles loved Athens it may be necessary to make London itself somewhat more lovely.

Such, sublime in its wondrous power, its appalling mystery, its dim, religious terror, is the catastrophe of the "Oedipus at Coloneus."

Shakespeare expatiates somewhat more largely, but the sentiment in both cases is almost verbally identical. The resemblance is probably a chance one, for commonplace and consolation were always twin sisters, whom always to escape is given to no man; but it is nevertheless curious. Here is another, from the Oedipus Coloneus: "Thrice is he armed that hath his quarrel just."

She might have remained at Thebes with her brother Eteocles, who had been made king in her father's room, but she chose instead to wander forth with the forlorn old man, fallen from his kingly state, and absolutely begging his bread. The great Athenian poet Sophocles began his tragedy of 'Oedipus Coloneus' with showing the blind old king leaning on Antigone's arm, and asking

Men say that Sophocles, the tragical poet, when in his old days he was by his own sons accused before the judges for a doting and sottish man, as one that fondly wasted his own substance, and seemed to need a governor to see unto him; to the intent he might clear himself of the fault, he came into the place of judgment; and when he had rehearsed before them his tragedy called OEdipus Coloneus, which he had written at the very time of his accusation, marvellous exactly and cunningly, did of himself ask the judges whether they thought any sottish or doting man could do the like piece of work.

Somewhat the same lesson as that of the Oresteia is taught later, with more of sweetness and harmony, but not with more force, in the Oedipus Coloneus of Sophokles. And in Pindar we see the same tendencies inchoate. Like Aeschylus he does by implication subordinate to morality both politics and religion.