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He had arrived at his conclusion by a logical process, and there seemed no escape from it. As he had told Lucia, he knew the character of the chiseller better than the women of the household could know it, for he had been his constant companion for years, and was not to be deceived in his estimate of Marzio's temper.

The chiseller tried to laugh aloud in his old way, but the effort was ineffectual, and ended in a painful twisting of the lips, accompanied by a glance at the corner. It would not do; he was weak, and was forced to submit to the humiliation of acknowledging the fact to himself.

On the following morning, Marzio left the house earlier than usual Gianbattista had not finished his black coffee, and was not in a humour to make advances to his master, after the scene of the previous evening. So he did not move from the table when the chiseller left the room, nor did he make any remark upon the hour.

"I know that from my art. You may stamp a thing in a moment with the die it is rough, unfinished. It takes weeks to chisel it " "The good God is not a chiseller, Tista." The words fell very simply from the young girl's lips, and the expression of her face did not change. Only the tone of her voice was grave and quiet, and there was a depth of conviction in it which struck Gianbattista forcibly.

You may take my word for it; and so you had better dismiss the matter from your mind at once, and think no more about it." "I remember that you told her so last night," growled Marzio, growing pale with anger. "Certainly." "You you you priest!" cried the chiseller, unable in his rage to find an epithet which he judged more degrading. Don Paolo smiled. "Yes, I am a priest," he answered calmly.

He was not pale like the rest, for he was not afraid of the chiseller, and the generous flush of a righteous indignation mounted to his calm face. "You are mad," he said, meeting his brother's gaze fearlessly. "Not in the least," returned Marzio. "Lucia shall marry Gasparo Carnesecchi at once, or she shall not marry any one; what am I saying? She shall have no choice.

He sent another in search of a surgeon. "Do not tell Sor Marzio do not go to the workshop," he said in a last injunction. He knew that Marzio would be of no use in such an emergency, and he hoped that Don Paolo might be pronounced out of danger before the chiseller knew anything of the accident. In half an hour the injured man was lying in Gianbattista's bed.

The chiseller wrapped the crucifix in the old white cloth, and laid it in its plain wooden box, but he did not screw the cover down, merely putting it on loosely so that it could be removed in a moment. He laid his tools in order, mechanically, as he did every evening, and then he extinguished the light and made his way to the door, carrying the box under his arm.

Paolo, in his estimation, was the author of all the evil, the sole ultimate cause of domestic discord, the arch enemy of the future, the representative, in Marzio's sweeping condemnation, not only of the church and of religion, but of that whole fabric of existing society which the chiseller longed to tear down. Marzio's socialism, for so he called it, had one good feature.

It was this subtle power that Marzio resented, for he saw that it was exerted continually, both upon himself and the members of his household. The chiseller acknowledged to himself that in a great emergency his wife, his daughter, and even Gianbattista Bordogni, would most likely follow the advice of Don Paolo, in spite of his own protests and arguments to the contrary.