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The castrato whom they did engage was Carestini, who, though less celebrated, was at any rate a singularly artistic singer. Durastanti came back, and, in place of Montagnana, Handel contented himself with Waltz, a German, who is often described as having been Handel's cook.
I always knew you were a fery tevil," he cried, "and I shall now let you know that I am Beelzebub, the prince of de tevils!" and, dragging her to the open window, was just on the point of pitching her into the street when, in every sense of the word, she recanted. So, when Carestini, the celebrated tenor, sent back an air, Handel was furious.
Senisino and Carestini had each twelve hundred pounds, and Cuzzoni two thousand, for the season. Toward the end of what may be called the Handel season nearly all the singers and nobles forsook him, and supported Farinelli, the greatest singer living, at the rival house in Lincoln's Inn Fields.
The singers of this period, Nicolini, Senesino, Cuzzoni, Faustina, Caffarelli, Farinelli, Carestini, Gizziello, and Pacchierotti, devoted their study years to preparing their voices for the display of a certain definite kind of florid music. They had nothing else to learn. As a consequence they were expected to be particularly efficient.
Pendarves, who during the last few years had not lived much in London, and had thus dropped out of Handel's life, wrote in November: "The concerts begin next Saturday at the Haymarket. Carestini sings, Pescetti composes; the house is made up into little boxes, like the playhouses abroad." Dr. Burney gives a comic account of the undertaking.
"The opera, a tawdry, expensive and meretricious lady, who had been accustomed to high keeping, was now reduced to a very humble state. Her establishment was not only diminished, but her servants reduced to half-pay. Pescetti seems to have been her prime minister, Carestini her head man, the Muscovita her favourite woman, and Andreoni a servant for all work."
Alcina carried the Opera on to the end of the season, the well-known air "Verdi prati," which Carestini had at first refused to sing, being encored at every performance. Handel's alleged angry retort to Carestini in comical broken English has been often quoted from Burney; but Schoelcher very sensibly observed that Handel was pretty certain to have conversed with Carestini in Italian.
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