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There remains, however, a Moretto, the portrait of a Physician, and the portrait of the Marchese Antonio Giulio Brignole-Sale on horseback, the beautiful work of Vandyck. Looking at this picture and its fellow, the portrait of the Marchesa, it is with sorrow we remember the fate that has befallen so many of Vandyck's masterpieces painted in this city.
It is, however, in Palazzo Rosso, No. 18, possibly a work of Alessi's, that you may see what these Genoese palaces really are, for the Marchesa Maria Brignole-Sale, to whom it belonged, presented it to the city in 1874.
He had this haughty spirit he could have lived in those days and she saw him a Doria, a Brignole-Sale or a Pallavicini, gorgeous, masterful and magnificent. England in the present day was surely a supplice for such an arrogant spirit as that of John Derringham.
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