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The church has, as I have said, been ruined by the rebuilding of 1747; but there still remain the twenty-four columns of bigio antico with their Roman capitals, which upheld the old basilica, and in the crypt is the ancient high altar of the fifth century. Something, too, of the old church would seem to remain in the much repaired walls of the apse without.
Francia Bigio filled his background with a careful architectural perspective, and a crowd of muscular Romans are grouped before it. This also was left unfinished at the Pope's death, and Allori completed it in 1582. Francia Bigio, however, did many of the gilded decorations of the hall.
But though Albertinelli passed off his pseudo-hostdom with bravado, talking very wittily about it, the artistic vein was too strong within him to be subdued; he soon gave up the flask and returned to the brush, for in 1509, when his quondam pupil, Francia Bigio, was busy at the Servi, we again find Mariotto's hand in a painting of the Madonna.
Then, with a half-whispered hint that for one, Francia Bigio was dying to get the commission for nothing, the wily Frate went his way victorious.
Of Francesco Bigi, commonly called Francia Bigio or Franciabigio, so much is said in the following life of Andrea del Sarto, that a slight sketch will suffice here. He was the son of Cristofano, and was born in 1482.
Giuliano Bugiardini was his head assistant rather than pupil; Francia Bigio, then a boy, Visino, who afterwards went to Hungary, and Innocenzio da Nicola, besides Piero, Baccio's brother, were all scholars. Albertinelli's Bottega in Val Fonda gave some noble paintings to the world, works independently his own, though Fra Bartolommeo's influence is traceable in most of them.
In 1518, while Andrea was in France, the monks of the Scalzo employed Francia Bigio to fill two compartments in their pretty little cloister, where Andrea had commenced his Life of S. John Baptist. These are spoken of more at length in the life of that master, who on his return took the work again in his own hands.
The sect of Sangallo, headed by Nanni di Baccio Bigio, continued to annoy and conspire against the aged architect, and though Michael Angelo brought their machinations to the notice of the Superintendent of the Fabric in 1547, he could not get his chief enemy dismissed. The master’s good friend, Pope Paul III., died in 1549.
It is not unlikely that Piero di Cosimo kept up an interest in his old fellow-pupil; and then again, as Andrea lived in Val Fonda, it is probable he often visited Albertinelli's studio in that street, and the friendship with Francia Bigio began before the cartoons of Michelangelo ripened there.
Of these, No. 6 was the first executed, and it is probable that Francia Bigio assisted him, for it has not the finished drawing nor careful handling of any of Andrea's other frescoes. Possibly this is the cause of the partners never working together afterwards, each taking his own subjects and signing his own name.
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