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If he had experienced one malevolent family early in his life, this should have been enough of an augury for him that long ago he, Nawin Biadklang, should have forsworn a second round of it and vowed to maintain a single and original life thereafter.

The thought of his mediocrity was asphyxiating to him and he again pondered that he was merely a prostitute painter, a fetid and odious "nobody" within the demarcated self of a Nawin Biadklang that he could never transcend.

Back then, at the age of 36, he, Nawin Biadklang, had considered the sardonic comment both humorous and exhilarating, for every article allotting time and space to an examination of his self- absorbed ruminations on decadent living, no matter how critical and regardless of the domestic nature, like this one in point, was to him, then, like the first lick of succulent success.

He thought, "Have I, Nawin Biadklang or whoever I am whatever I call myself, done anything remarkable within all these forty years?" He posited this question as if this subject were now a relevant matter to deliberate, and as if, after having scanned through a quick shuffling of vapid memories, a self-judgment had not already been rendered on this matter.

If his thoughts were in part an iconoclast's blaspheme against the family unit, a group that comprised all groups, they were also full of regret that, beyond a work of art, a mortal man could not change into the livery of another's skin, of a child who was proud of his Biadklang name and the parents who owned their own rice and noodle cart that was part of their sidewalk restaurant, of being their son if but a slave who was reproached and disparaged most awakened minutes, and of being in a fraternity, an eternity of belittling words sported against him to get the grin, chuckle, or tacit endorsement of the father emperor who, when at home, crossed one leg on another in his recliner and thumped his foot in an erotic gavel.

To eat and to sully was the quest of a man when caught on moving earth. He, Nawin Biadklang, ate slowly and pensively, making the condensation of crumbs and its showers less frequent than they would have been otherwise, for to consume anything was somewhat nauseating with the odor of toilets linking between cars permeating all and making all a drought.

It kept the world in an equilibrium that way." "And on that train trip from Bangkok to Changmai to acquire those Nawin Biadklang paintings" "Not only those but others in Southeast Asia. What about it? You can't surely scold me for my response to that jackass on the train.

"Was it that bad?" asked this American Thai, Nawin, with an awkward laugh. He was feeling a sense of exhilaration at being with one who was unlike demure Southeast Asians' superficial demeanor. Like a Nawin Biadklang painting in being so wanton in declaring sordid reality as such, so seemed the man; and Nawin liked what was true and like himself.

My sister was so disappointed that she had to sleep off the depression. For me, I was just puzzled kept thinking that you must be doing something strange back there but god only knows what. Your name again is Nawin. Right?" "Nawin Biadklang."

"I'll walk for a while and follow what looks good. Thank you." He began walking. He was almost at the juncture when he heard the beep of another tuk-tuk. "Are you Nawin?" "Yes." "Somebody left this at the train station. The officers have been asking people they happened to see if its for them. You slipped by so one of them said to bring it to you. Are you Nawin Biadklang?" "Yes."