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Barbarigo and the other Venetians commanded on the left, John Andrew Doria on the right, while Don John himself and Colonna were in the centre, Crucifix in hand, the High-Admiral rowed from ship to ship exhorting generals and soldiers to show themselves worthy of a cause which he had persuaded himself was holy.
The towers which remain are the Merlata Barbarigo of 1485, Merlata Tiepolo of about the same date, Merlata dell' Aspello, erected as a defence against the Turks in 1570, the gate-tower on the Piazzetta of 1649, and the Gothic Torre Lombardo of 1448, near the land gate. The walls can be walked round in a quarter of an hour, and are dominated by the Fort S. Biagio, erected by the English.
She once engaged in a public disputation before the Doge Agostino Barbarigo, and also several times in the audience hall of Padua, and always showed the utmost modesty in spite of the applause of her hearers. The beautiful wife of Alessandro Sforza of Pesaro, Costanza Varano, was a poet, an orator, and a philosopher; she wrote a number of learned dissertations.
Venice declined an engagement to begin a fresh war. She hated Ferdinand and Matthias and the whole Imperial brood, but, as old Barbarigo declared in the Senate, the Republic could not afford to set her house on fire in order to give Austria the inconvenience of the smoke.
Barbarigo and the other Venetians commanded on the left, John Andrew Doria on the right, while Don John himself and Colonna were in the centre, Crucifix in hand, the High-Admiral rowed from ship to ship exhorting generals and soldiers to show themselves worthy of a cause which he had persuaded himself was holy.
He escaped without a wound, though he was covered with blood of a soldier killed by a cannon-ball close behind him. On the left wing of the Christian fleet, the battle, which had begun so unpropitiously, was also brought to a prosperous issue. The wound of Barbarigo transferred the command to the commissary Canale.
Again we find trade where once was aristocracy, for the next palace, which is now a glass-works' show-room, was once the home of Pietro Barbarigo, Patriarch of Venice. The tiny church of S. Vio, now closed, which gives the name to the Campo and Rio opposite which we now are, has a pretty history attached to it.
The finest extant example of this type of Magdalen is undoubtedly that which from Titian's ne'er-do-well son, Pompinio, passed to the Barbarigo family, and ultimately, with the group of Titians forming part of the Barbarigo collection, found its way into the Imperial Gallery of the Hermitage at St. Petersburg.
Barbarigo and the other Venetians commanded on the left, John Andrew Doria on the right, while Don John himself and Colonna were in the centre, Crucifix in hand, the High-Admiral rowed from ship to ship exhorting generals and soldiers to show themselves worthy of a cause which he had persuaded himself was holy.
This Titian, which doubtless passed into the Hermitage with the rest of the Barbarigo pictures, may have been the first foundation for the series of portraits of the Farnese Pope, and as such would naturally have been retained by the master for his own use.
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