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The banner-cry of the Baconians is the word "Impossible!" To these arguments, the orthodox Stratfordian is apt to reply, that he finds in the plays and poems plenty of inaccurate general information on classical subjects, information in which the whole literature of England then abounded.

It was many hours before tired nature's sweet restorer released these two loving children from its embraces, and then it seemed as if all the fiends from heaven that fell had pealed the banner-cry of hell. The howls of dogs, and the savage war-whoops announced that their enemies were upon them; but undismayed by the terrible dangers, they resolved to die together rather than endure separation.

Naturalism, linking hands with l'art pour art "a fine phrase is a moral action there is no other morality in literature," cried Zola became a banner-cry, with "the flesh is all" its chief article of belief. No study of the growth of English fiction can ignore this typical modern movement, however unpleasant it may be to follow it.

All this time the battle was raging furiously on our right, and occasionally a cannon ball, flying high, went screaming over our heads. Walter Scott, in "The Lady of the Lake," in describing an incident of the battle of Beal' an Duine, speaks of the unearthly screaming and yelling that occurred, sounding "As if all the fiends from heaven that fell Had pealed the banner-cry of hell."

But it is quite within bounds to say that of all modern fiction he is the leader and shaper. Without him, his greatest native follower, Zola, is inconceivable. He gathers up into himself and expresses at its fullest all that was latent in the striking modern growth whose banner-cry was Truth, and whose method was that of the social scientist.