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By that Bernardino was brought forward and much assisted the sculptor Agostino Busto, called Il Bambaja, of whom there has been an account in the Life of Baccio da Montelupo.
The Italian peasant's inarticulate tenderness for the beauty of his birthplace had been specialized in him by contact with cultivated tastes, and he could tell me not only that the Count had a "stupendous" collection of pictures, but that the chapel of the villa contained a sepulchral monument by Bambaja, and that the art-critics were divided as to the authenticity of the Leonardo in the family palace at Milan.
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