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The Marker alone, and the part he takes in the Master-singing, were particularly pleasing to me, and on one of my lonely walks, without knowing anything particular about Hans Sachs and his poetic contemporaries, I thought out a humorous scene, in which the cobbler as a popular artisan-poet with the hammer on his last, gives the Marker a practical lesson by making him sing, thereby taking revenge on him for his conventional misdeeds.
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