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As an example how little the violation of certain probabilities diminishes our pleasure, we may remark that Moliere, with respect to the choice of scene, has here indulged in very great liberties. We will not inquire how Arnolph frequently happens to converse with Agnes in the street or in an open place, while he keeps her at the same time so carefully locked up.
But if Horace does not know Arnolph to be the intended husband of his mistress, and betrays everything to him, this can only be allowable from Arnolph's passing with her by another name. Horace ought therefore to look for Arnolph in his own house in a remote quarter, and not before the door of his mistress, where yet he always finds him, without entertaining any suspicion from that circumstance.
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