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But Nealces the painter, one of Aratus's friends, entreated him, it is said, with tears in his eyes, to spare it, and, finding he did not prevail with him, told him at last he should carry on his war with the tyrants, but with the tyrants alone: "Let therefore the chariot and the Victory stand, and I will take means for the removal of Aristratus;" to which Aratus consenting, Nealces blotted out Aristratus, and in his place painted a palm-tree, not daring to add anything else of his own invention.
For this Aristratus was painted by Melanthus and his scholars, standing by a chariot, in which a figure of Victory was carried, Apelles himself having had a hand in it, as Polemon the geographer reports. It was an extraordinary piece, and therefore Aratus was fain to spare it for the workmanship, and yet, instigated by the hatred he bore the tyrants, commanded it to be taken down.
And accordingly Aratus, when he freed the city, immediately took down the representations of the rest of the tyrants, but demurred a long time about that of Aristratus, who flourished in the time of Philip.
What the most worthless of men, the bitterest enemy of the city, would do, you are found to have done, when all was over; and at the same time as the irreconcilable enemies of the city, Aristratus in Naxos, and Aristoleos in Thasos, are bringing the friends of Athens to trial, Aeschines, in Athens itself, is accusing Demosthenes.
The feet of the defaced figure of Aristratus are said to have escaped notice, and to be hid under the chariot.
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