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Beyond all comparison the best work on the Anti-Willian side of the controversy is The Shakespeare Problem Restated, by Mr. When I use the word "author" here, I understand Mr. Greenwood to mean that in the plays called "Shakespearean" there exists work from many pens: owing to the curious literary manners, methods, and ethics of dramatic writing in, say, 1589-1611.

Yet Ben's words mean nothing if not that an actor is the author of works which Ben accuses of plagiarism. Mr. Greenwood put the same interpretation on Greene's words about "Shakescene," and we showed that the interpretation was impossible. Greenwood tries to find the Anti-Willian hypothesis in Greene's Groatsworth of Wit and in Ben's epigram. It is in neither.

We have now passed in review the chief Baconian and Anti-Willian arguments against Will Shakespeare's authorship of the plays and poems. Their chief argument for Bacon is aut Diabolus, aut Franciscus, which, freely interpreted, means, "If Bacon is not the author, who the devil is?"

But "Greene here accuses Player Shakspere of putting forward, as his own, some work, or perhaps some parts of a work, for which he was really indebted to another," this is "the utmost we should be entitled to say," even if the allusion be to Shakspere. How does Mr. Greenwood get the Anti-Willian hypothesis out of Greene's few and plain words?

We might as well judge Moliere in the spirit of the author of Elomire Hypocondre, and of de Vise! The Anti-Willian arguments keep on appearing, going behind the scenes, and reappearing, like a stage army. But I must give the reader a warning. Concerning "William Shakespeare" as a "nom de plume," or pseudonym, Mr.

But there is another "Anti-Willian" theory, which would dethrone Will Shakspere, and put but a Shadow in his place. Conceive a "concealed poet," of high social position, contemporary with Bacon and Shakespeare. Let him be so fond of the Law that he cannot keep legal "shop" out of his love Sonnets even.