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Forthwith Ajax, son of Telamon, slew the fair youth Simoeisius, son of Anthemion, whom his mother bore by the banks of the Simois, as she was coming down from Mt. Ida, where she had been with her parents to see their flocks.

Some of the principal characteristics of the Cinquecento style are the delicate arabesque scroll work, the profusion and beauty of the curves, its admirable variations of standard classic ornaments, such as the anthemion and scroll. The coloring, also, was one of its most pleasing features. This style flourished principally in Italy and France.

It is called the Ionic Anthemion, and suggests in its composition all the creative powers of Greece. Its value is not alone in the sensuous gratification of the eye, as with the Arabesque tangles of the Alhambra, but it is more especially in its complete intellectual expression, the evidence there is in it of thoughtfulness and judgment and deliberate care.

It is noticeable, however, that it almost completely ignored the most characteristic and popular of the Greek forms for example, the anthemion and adapted those, such as the acanthus and the scroll, which had been considered of minor importance among the Greeks.

Then the wheelwright lays his axe to its roots that he may fashion a felloe for the wheel of some goodly chariot, and it lies seasoning by the waterside. In such wise did Ajax fell to earth Simoeisius, son of Anthemion.

It is not certainly known who the man was that did there first either bribe the citizens, or corrupt the courts; whereas, in Athens, Anytus, the son of Anthemion, is said to have been the first that gave money to the judges, when on his trial, toward the latter end of the Peloponnesian war, for letting the fort of Pylos fall into the hands of the enemy; in a period while the pure and golden race of men were still in possession of the Roman forum.

As in particular to Anytus, the son of Anthemion, one who was very fond of him, and invited him to an entertainment which he had prepared for some strangers.

He often used the three feathers of the Prince of Wales, sheaves of wheat, anthemion, urns, and festoons of drapery, all beautifully carved, and forming the splat. The backs of his chairs were supported at the sides by uprights running into the shield-shaped back and did not touch the seat frame in any other way.

Garbett, an English aesthetical writer, assures us that the Anthemion bears not the slightest resemblance to the Honeysuckle or any other plant, "being no representation of anything in Nature, but simply the necessary result of the complete and systematic attempt to combine unity and variety by the principle of gradation." But here he speaks like a geometer, and not like an artist.

At Athens it is said that the first man who gave money to the judges for his acquittal was Anytus the son of Anthemion, when he was tried for treachery at Pylos towards the end of the Peloponnesian War, a period when men of uncorrupted simplicity and virtue were still to be found in the Forum at Rome.