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Augustine, where he speaks of his own early love for Virgil, shows in its half-hysterical renunciation how great the charm of the Virgilian art had been, and still was, to him: Quid miserius misero, he cries, non miserante se ipsum, et flente Didonis mortem quae fiebat amando Aeneam, non flente autem mortem meam quae flebat non amando te?
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