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The Virgin is painted with great feeling, and in the solemn beauty of the Archangel we get the first of those splendid creatures whose sublimity Signorelli felt in the same spirit as Dante, who bent his knees and folded his hands at the sight of the "Uccel divino," "trattando l'aere con l'eterne penne."
I felt sick with horror. As if their hoarse and over strained voices failed to make noise enough, they soon began to clap their hands violently. The scene described by Dante was before me: "Quivi sospiri, pianti, ed alti guai Risonavon per l'aere Orribili favelle Parole di dolore, accenti d'ira Voci alti e floche, e suon di man con elle."
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