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We are so moved when Levine labours on the field, when André sinks beyond emotion, when Richard Feverel and Lucy Desborough meet beside the river, when Antony, "not cowardly, puts off his helmet," when Kent has infinite pity on the dying Lear, when, in Dostoieffsky's "Despised and Rejected," the uncomplaining hero drains his cup of suffering and virtue.
Jeremy was a perfectly normal little boy, and I defy anyone to have discovered in him at this stage in his progress, those strange morbidities and irregular instincts that were to be found in such unhappy human beings as Dostoieffsky's young hero in "Podrostok," or the unpleasant son and heir of Jude and Sue.
He remembered a sentence out of a strange novel of Dostoieffsky's that he had once read, "The Brothers Karamazoff": "It's a feature of the Karamazoffs ... that thirst for life regardless of everything " and the Karamazoffs were of a sensual, debased stock rotten at the base of them with an old drunken buffoon of a father yes, that was like the Westcotts.
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