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Updated: May 23, 2025
Parker's quasi-operatic tendency. Now he is a modern. He has shown in this very work his appreciation and his mastery of antique religious musical art. But as a modern he is compelled to feel the force of the dramatic in religious music.... But his most far-reaching, his most exalted and rapt conception of the bliss beyond compare is expressed in the language of Palestrina and Bach."
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