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He is Paul Verlaine. A style like Verlaine's, which is non-sequent, macerated, free, is indispensable to any mastery of the rhetoric of the minor key. This, to me, has always been my literary ideal. From time to time, my friend Azorin attempts to analyse my ideas. I do not pretend to be in the secret of the scales, as such an assumption upon my part would be ridiculous.
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