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By comparison most of the local colorists of his period seem homespun and most of the romancers a little tawdry. His method is the mosaicist's, working self-consciously in fine materials. Movement with him never leaps nor flows; in fact, it seems to dawdle when, too often, he forgets to be vigilant in the interests of simplicity; it is languid with scrupulous hesitations and accumulations.
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