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Updated: May 21, 2025
If young Germany were content to follow in Truebner's footsteps we should soon have a revival of the ancient craftsmanship and conscience that animated Holbein and Dürer. Young Germany, however, has other plans. To learn of them the reader is referred to Meier-Graefe's comprehensive and stimulating volume on modern art.
Yet, in the teeth of modern theories that have at least the air of physiological certainties, one must admit that he is still alive. A comparison between the five-and-thirty photographs reproduced by M. Besson and those at the end of Herr Meier-Graefe's monograph suggests that even since 1910 his art has developed.
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