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The designs can best be explained by a reference to Pl. 142, Figs. 2 4; the part of the design marked A is termed BETIK BUAH, fruit pattern; B, betik lawa, trunk pattern; and C, BETIK LULUD, shin pattern.
From a rubbing of a carved model in the Sarawak Museum. From a tatu-block in the Sarawak Museum. Plate 142. Tatu design on the forearm of a Kalabit woman. From a drawing. Tatu design on front of leg of a Kalabit woman. C = BETIK LULUD, shin pattern. From a photograph. Tatu design on back of leg of a Kalabit woman. A = BETIK BUAH, fruit pattern; B = BETIK LAWA, trunk pattern. From a drawing.
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