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McGinnis's voice dropped into a low, intent whisper. "Do you mean to tell me that?" he said. "Me, with my thirst?" He laid a hand on Billy's shoulder. "Friend," said he, "I've walked two hundred miles. I've developed your place. I'm in a position to give this town a public liberry worth maybe forty dollars. Now, do you mean to say to me do you mean " He gulped, unable to proceed. Hudgens nodded.

God knows I have no war with the old, grey-haired lady the Padre has just told us about. I have no war with that broken-hearted father and mother. And I have no war with Annette Perrotte, dear girl, God preserve her." At this point, McGinnis's command quite forsook him. His voice utterly broke down, while the tears ran down his rugged fighting face. "I am done with fighting," he cried.

Send for her I'm tellin' ye, Frank O'Connell, or it's the sore rod ye'll be makin' for yer own back." McGinnis's words sank in. When they parted for the night with many promises to meet again ere long, McConnell sat down and wrote Peg a long letter, leaving the choice in her hands, but telling her how much he would like to have her back with him.

They're messing up McGinnis's things a bit," he added, as the sound of crashing glass came to their ears. Through the quiet streets the car flew like a hunted thing, and in a very few minutes they were at the Rectory door. "No fuss, now, Patricia," said Adrien, "we must not alarm Mamma. All steady." "Right you are! Steady it is!" said Patricia springing from the car.

You smashed in Peter McGinnis's face, but you did it without criminal intent. You put a face on him, by Jehoshaphat! that he won't lose for six months, but you did it without evil purpose or malign design. My boy, look up! Give me your hand! You leave this court without a stain upon your name." They said it was one of the most moving scenes ever enacted in the Mariposa Court.

They were not quite ripe, and I hung them before my window to mature in the sun of McGinnis's Court, whose forcing qualities were remarkable. In the mysteriously mingled odors of ship and shore which they diffused throughout my room, there was a lingering reminiscence of low latitudes. But even that joy was fleeting and evanescent: they never reached maturity.

So low was the window-sill, that had I been the least predisposed to somnambulism, it would have broken out under such favorable auspices, and I should have haunted McGinnis's Court. My speculations as to the origin of the court were not altogether gratuitous, for by means of this window I once saw the Past, as through a glass darkly.

Coming home one day, as I turned the corner of that fashionable thoroughfare before alluded to, I met a small boy eating a banana. There was nothing remarkable in that, but as I neared McGinnis's Court I presently met another small boy, also eating a banana. A third small boy engaged in a like occupation obtruded a painful coincidence upon my mind.

McGinnis's Court was a democratic expression of some obstinate and radical property-holder. Occupying a limited space between two fashionable thoroughfares, it refused to conform to circumstances, but sturdily paraded its unkempt glories, and frequently asserted itself in ungrammatical language. My window a rear room on the ground floor in this way derived blended light and shadow from the court.

In short, there is no such thing as personal liberty in this burg, unless it is too late for the cop to see. The governor says McGinnis's face afforded a perfect study in emotions. I should have liked to have seen it. The Padre never took his foot off the accelerator.