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Other composers used it as well, and traces of it are found even in Auber's works. After Damcke's death Mlle. Pelletan got me to help her in this work. I wanted to change the method, but the edition would have lost its unity and she would not consent. It was time that Damcke's collaboration ended. He belonged to the tribe of German professors who have since become legion.

And they sing: Quel est l'auDAcieux Qui dans ces SOMbres lieux Ose porTER ses pas Et devant LE trepas Ne frémit pas? As French is not strongly accented such faults are tolerated. Gluck's theme impressed itself on the memory, so that he dealt a terrific blow to the purity of prosody. We gradually became so disinterested in this that by Auber's time scarcely any attention was paid to it.

Past are those careless days, when the shrill musette, or plain cittern and virginals, could with their first strain give motion to the blythe foot of joy, or call from its cell the prompt tear of pity. Those days are gone! Music may affect some of us as deeply, but none as readily! Mr. Graeme had received from Paris an unpublished opera of Auber's.

But nothing could be more misleading than to attribute to French influence the popular demonstration which took place in Brussels, on August 25th, following a performance of Auber's Muette de Portici at the Monnaie Theatre.

On the evening of the 6th I went to see the French Opera Company in Auber's 'Black Domino. It did not please me as well as some music I have heard, though parts of it were very beautiful. The hymns of the nuns were very sweet. The thought occurred to me that if the Church does not provide religious gratifications for the true wants of humanity, she must be silent if men feed them profanely.

Louis appeared in a short jacket and a straw hat, looking rather waggish and very embarrassed to present himself in such a costume. Driving through the Boulevard Clichy and endless out-of-the-way streets, we finally reached Auber's hotel, which is in the Rue St. Georges.

'Is it the good Lord, or is it merely the devil, that makes me always have a weakness for rascals? I told him it was the devil. I was not a priest then. I could not be so sure with my answer now." And then Padre Ignacio repeated Auber's remark in French: "'Est-ce le bon Dieu, oui est-ce bien le diable, qui veut tonjours que j'aime les coquins? I don't know! I don't know!

The duration and climax of Auber's musical career were founded on his friendship and, artistic alliance with Scribe, one of the most fertile librettists and playwrights of modern times.

No doubt this greeting was thoroughly sincere, since all good Germans look upon Franz Josef as their truest ally. Next evening there was a "gala" performance at the Royal Opera, the play presented being, of all things in the world, Auber's "Bronze Horse," which is a farcical Chinese fairy tale set to very light and pleasing music.

Then they went into raptures over the gracefulness of Rossini's music, and the brilliancy of Auber's.