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Spedding in another preface, "that is to say, the peculiar method of investigation, the "organum," the "formula," the "clavis," the "ars ipsa interpretandi naturam," the "filum Labyrinthi," or by whatever of its many names we choose to call that artificial process by which alone he believed man could attain a knowledge of the laws and a command over the powers of nature of this philosophy we can make nothing.

All thought they had surely won him back, but later on the Blessed Vianney made two other efforts to lay down his pastoral cares and to retire into a monastery, there to work out his own salvation. But God granted the fervent petition of the people of Ars and caused these plans to come to naught.

At the same time, Augustus prepared to make Caius and Lucius his two future collaborators in place of Tiberius; Ovid set his hand to a book still more scandalous and subversive than the Amores, the Ars Amandi; public indulgence covered with its protection all those accused on grounds of the laws of the year 18; and finally, the two boys, Caius and Lucius, became popular, like great personages, all over Italy.

I respect the evidence of my contemporaries, but I cannot forget the sayings of the Father of medicine, Ars longa, judicium difficile. I am not presuming to express an opinion concerning Veratrum viride, which was little heard of when I was still practising medicine.

Some tablets in the pockets, scrawled over with wild, incoherent verses, gave a clew to the discovery of the dead man's friends: and, exposed at the Morgue, in that bleached and altered clay, De Montaigne recognized the remains of Castruccio Cesarini. "He died and made no sign!" SINGULA quaeque locum teneant sortita.* HORACE: Ars Poetica. * "To each lot its appropriate place."

I can read Virgil middlin'; an' Horace's Ars Poetica, the whilk Mr Graham says is no its richt name ava, but jist Epistola ad Pisones; for gien they bude to gie 't anither it sud ha' been Ars Dramatica. But leddies dinna care aboot sic things." "You gentlemen give us no chance. You won't teach us." "Noo, my leddy, dinna begin to mak' ghem o' me, like my lord.

Of the four classical discussions of the theory of poetry which are here treated, that of Horace was best known throughout the middle ages and the early renaissance. Just what the influence of the Ars poetica was and why it was so great a favorite will be discussed in subsequent chapters. Classical Rhetoric Definitions

The one will be the broad and clear-cut channel of naturalism, down which will course a drama poignantly shaped, and inspired with high intention, but faithful to the seething and multiple life around us, drama such as some are inclined to term photographic, deceived by a seeming simplicity into forgetfulness of the old proverb, "Ars est celare artem," and oblivious of the fact that, to be vital, to grip, such drama is in every respect as dependent on imagination, construction, selection, and elimination the main laws of artistry as ever was the romantic or rhapsodic play: The question of naturalistic technique will bear, indeed, much more study than has yet been given to it.

To Gammer Gurton if it give the bays, And yet deny The Careless Husband praise, Or say our fathers never broke a rule; Why then, I say, the public is a fool. See ante, April 6, 1775. See page 402 of vol. i. Milton's L'Allegro, 1. 36. 'CATESBY. My Liege, the Duke of Buckingham is taken. RICHARD. Off with his head. So much for Buckingham. Colley Gibber's Richard III, iv. Ars Poetica, i. 128.

But for anyone who has a soul for Art, such a view is preposterous. Nature is one thing. Art is another. Nature shows us the world as it is. But Art as a Latin author tells us Art, you know the words have escaped my memory "Ars est celare Naturam," Arthur interposed with a delightful promptitude. "Quite so!" the orator replied with an air of relief. "I thank you!