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Massenet's "Elegie," Moszkowski's "Serenata," a transcription, and then the aria from Lucia. Not compositions professional violinists would have selected. Cutty felt his spine grow cold as this aria poured goldenly toward heaven. He understood. Hawksley was telling him that the shade of his glorious mother was in this room. The boy was right. Some fiddles had souls.
The orchestra played several numbers previous to the ceremony the Mendelssohn March for processional, and Lohengrin for recessional, but the really exquisite music was during the ceremony, when there came to us softly, as if floating from afar over gold lace and perfumed silks and satins, the enchanting strains of Moszkowski's Serenade!
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