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Some of the artists who had seen the young painter's work thought this decision unjust. They grumbled, and their grumbling got as far as the newspapers. I was curious enough to go and see the picture at Durand-Ruel's.
In the first place, when Paul Vence wished to introduce him to her, she had no desire to know him, no presentiment that he would please her. She recalled elegant bronze statuettes, fine waxworks signed with his name, that she had remarked at the Champ de Mars salon or at Durand-Ruel's.
In the first place, when Paul Vence wished to introduce him to her, she had no desire to know him, no presentiment that he would please her. She recalled elegant bronze statuettes, fine waxworks signed with his name, that she had remarked at the Champ de Mars salon or at Durand-Ruel's.
We'll go to the Louvre tomorrow if you like, and then I'll take you to Durand-Ruel's." "You're really awfully good to me." "You don't think me such a beast as the most of them do." "I don't," he smiled. "They think they'll drive me away from the studio; but they won't; I shall stay there just exactly as long as it suits me. All that this morning, it was Lucy Otter's doing, I know it was.
And then we won't 'alf go on the razzle." Philip was too restless to work that afternoon, so he jumped on a bus and crossed the river to see whether there were any pictures on view at Durand-Ruel's. After that he strolled along the boulevard. It was cold and wind-swept.
In the first place, when Paul Vence wished to introduce him to her, she had no desire to know him, no presentiment that he would please her. She recalled elegant bronze statuettes, fine waxworks signed with his name, that she had remarked at the Champ de Mars salon or at Durand-Ruel's.
Let us enjoy our Monet without too many "mole runs." As De Kay pointed out, it was not necessary for Monet to go to London to see Constables. In the Louvre he could gaze upon them at leisure, also upon Bonington; not to mention the Venetians and such a Dutchman as Vermeer. It is therefore doubly interesting to study the Monets at Durand-Ruel's. There are twenty-seven, and they range as far back as 1872, Promenade
Any one who has been lucky enough to see it at Durand-Ruel's will cry out at the stupidity which did not recognise a masterly bit of painting with its glowing, nacreous flesh tints, its admirable modelling, its pervading air of vitality. Renoir was never a difficult painter; that is, in the sense of Monet or Manet or Gauguin.
Mellish's, one Sunday afternoon last spring. We were talking over George Lillo's portraits a collection of them was being shown at Durand-Ruel's and a pretty woman had emphatically declared: "Nothing on earth would induce me to sit to him!" There was a chorus of interrogations.
There is strength if not beauty the old canonic beauty and in the place of the latter may be found rich colour. A master of values, Cézanne. After all, paint is thicker than academic culture. I saw the first Paul Gauguin exhibition at Durand-Ruel's in Paris years ago. I recall contemporary criticism.
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