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"It was very nice of you to try. But I haven't really been away for some time; I've taken a house in Florence, and I've been here two years. Palazzo Pinti, Lung' Arno della Zecca. You must come and see me. Thursdays from four till six." "Thank you," said Colville. "I'm afraid," said Mrs.
"Many of them matriculated also to the noble art of usury before you were born," interrupted Francesco Cei, "as you may discern by a certain fitful glare of the eye and sharp curve of the nose which manifest their descent from the ancient Harpies, whose portraits you saw supporting the arms of the Zecca.
But the latter half of the century was getting rather ashamed of the towers with their circular or spiral paintings, which had delighted the eyes and the hearts of the other half, so that they had become a contemptuous proverb, and any ill-painted figure looking, as will sometimes happen to figures in the best ages of art, as if it had been boned for a pie, was called a fantoccio da cero, a tower-puppet; consequently improved taste, with Cecca to help it, had devised for the magnificent Zecca a triumphal car like a pyramidal catafalque, with ingenious wheels warranted to turn all corners easily.
This was the attitude in which the mimic San Giovanni presented himself as the tall car jerked and vibrated on its slow way round the piazza to the northern gate of the Baptistery. "There go the Masters of the Zecca, and there is my brother you see him, Melema?" cried Cennini, with an agreeable stirring of pride at showing a stranger what was too familiar to be remarkable to fellow-citizens.
"Nay, you will surely like to be called when the contadini come carrying their torches," said Nello; "you would not miss the country-folk of the Mugello and the Casentino, of whom your favourite Leonardo would make a hundred grotesque sketches." "No," said Piero, resolutely, "I will see nothing till the car of the Zecca comes.
At Venice he lived until his death in 1570, building the Zecca, the Library, the Scala d'Oro in the Ducal Palace, and the Loggietta beneath the bell-tower of S. Mark. In all his work he subordinated sculpture to architecture, and his statuary is conceived in the bravura, manner of Renaissance paganism.
The old papal mint, the Zecca, now an Italian possession, and guarded by soldiers of the royal army, is on the left of the passage leading to the museums, while on the right, just in front, is one of the entrances of honour to the Vatican where the papal Swiss Guard keeps watch and ward; and this is the entrance by which, according to etiquette, the pair-horse carriages convey the Pope's visitors into the Court of San Damaso.
There they sit at inky deal desks, counting out rolls of money, and curiously weighing the irregular and battered coinage of which Venice boasts; and just over their heads, occupying the place which in a London countinghouse would be occupied by a commercial almanack, a glorious Bonifazio 'Solomon and the Queen of Sheba'; and in a less honourable corner three old directors of the Zecca, very mercantile-looking men indeed, counting money also, like the living ones, only a little more living, painted by Tintoret; not to speak of the scattered Palma Vecchios, and a lovely Benedetto Diana which no one ever looks at.
"Perhaps," said Tito, smiling, "unless Messer Bernardo should next recommend Bardo to require that I should yoke a lion and a wild boar to the car of the Zecca before I can win my Alcestis. But I confess he is right in holding me unworthy of Romola; she is a Pleiad that may grow dim by marrying any mortal." "Gnaffe, your modesty is in the right place there.
The end building, the Zecca, or mint, is also Sansovino's, as are the fascinating little Loggetta beneath the campanile, together with much of its statuary, the giants at the head of Ricco's staircase opposite, and the chancel bronzes in S. Mark's, so that altogether this is peculiarly the place to inquire into what manner of man the Brunelleschi of Venice was.
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