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She afterward became his wife, and her love and devotion were the solace of his life. Weber spent most of the year 1810 in Darmstadt, where he again met Vogler and Meyerbeer. Vogler's severe artistic instructions were of great value to Weber in curbing his extravagance, and impressing on him that restraint was one of the most valuable factors in art.
Meyerbeer was a Jew, but his parents were liberal enough to send him to the fireside of a Christian, and the boy became an inmate of Vogler's house. For two years he studied faithfully, and by that time was initiated, as he had never been before, into the mysteries of counterpoint. For several years after this he remained with Vogler, studying, working, composing, and enjoying.
They're pretty, those sketches like watered silk or the scum in the docks with the sun on it; but, Lord, there ain't nothing into 'em, and that's the truth. At last, after fumbling around for years, I happened to walk into Vogler's gallery one day and saw my first Corot. Ther' it was all I had been trying for.
Not at all! it becomes not only BAD, but VERY BAD, and this in two or three different ways: namely, scarcely has the thought arisen when something else interferes to destroy it; or he does not finish it naturally, so that it may remain good; or it is not introduced in the right place; or it is finally ruined by bad instrumentation. Such is Vogler's music.
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