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"Yes," said my double; "in Utopia we who are samurai die better than that.... Is that how your great men die?"

The victim of her final eulogy was the redoubtable Sarah, Duchess Dowager of Marlborough, who, when finding herself addressed as "O most illustrious Wife, and Parent of the Greatest, Best, and Loveliest! it was not sufficient for you to adorn Posterity with the Amiableness of every Virtue," etc., etc., may perhaps have recalled how her shining character had been blackened some twelve years before in a licentious volume called "Memoirs of a Certain Island adjacent to the Kingdom of Utopia."

It may be said of Mr. Shaw that in his politics, as in his plays, he has sought Utopia along the path of disillusion as other men have sought it along the path of idealism and romance. Mr. Masefield, as a poet, has the secret of popularity. Has he also the secret of poetry?

They don't see that every existing institution just bristles with difficulties and that the difficulties are met or got over somehow. Often enough while they swallow the camel of existing abuses they strain at some gnat which they fancy they see flying in at the window of Utopia or of the Millennium.

The gain to the whole nation if the mental development of the highest social stratum could be raised as much above its normal level as the mental development of youthful Utopia has been raised above the normal level of an English rural village, would be incalculably great.

But, in addition to thus making poietic activities universally possible, the founders of this modern Utopia sought to supply incentives, which was an altogether more difficult research, a problem in its nature irresolvably complex, and admitting of no systematic solution.

You remember the Samurai that H. G. Wells describes in his Modern Utopia the superior breed of men who know things and are masters of life and of their fellow-men in a super-benevolent, super-wise way? Well, that is what Captain West is. Let me tell it to you. We had a shift of wind to-day.

But it is at least a Utopia specially adapted to a given place and time, one in which every feature of landscape and history is made the most of, one in which a beginning can be made at once, leaving room for further developments as occasion may serve. Moreover, it is penetrated through and through with the Republican ideal of bringing the highest truth within the reach of all.

But, besides this, there will be no disease, no anguish, no melancholy, and no resentment. A very curious vein, not golden indeed but copper, let us say, is hidden away in the earthy mass of Godwin. The dull, heavy-featured creature sees an apocalyptic vision and becomes poetical. It is partly absurd, but not because it is ideal, and there are lineaments in it of the true Utopia.

Six Days Adventure, or the New Utopia, a Comedy, acted at his royal highness the duke of York's Theatre, printed in quarto 1671. This play miscarried in the action, as he himself acknowledges in his preface; and the earl of Rochester, with his usual virulence, writ an invective against it; but, Mrs. Behn, Mr.