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The Columbaria near the tomb of the Scipios are three in number, and contain the cinerary urns of persons attached to the household of the emperors from the reign of Augustus up to the period of the Antonines, when the system of burying the bodies entire was again introduced. The last discovered Columbarium is the most interesting of the group.
Sherman, now really alarmed, called for Walker and Alec to bring lanterns. The lawn was a wreck, strewn with leaves and fallen limbs and pieces of broken flower urns that had been overturned by the wind. The searchers stumbled over them as they waded through the wet grass, looking in every nook and corner where it was possible for a child to have strayed, but their search was in vain.
The upper balustrades were divided by small pilasters, supporting urns. And now, between the urns, six beautiful maidens appeared; they seemed to be dancing and all came forward at the same time, with the same graceful motion of the head. They were all dressed alike, in pale blue robes, which left their shoulders bare.
The twelfth order, "Directing the muster of the tribe in the second day's election, being that of the list called the galaxy; in which the censors shall prepare the urns according to the directions given in the ninth order for the second ballot; that is to say, with thirty-six gold balls in the middle urn, making four orders, and nine electors in every order, according to the number of the magistrates in the list of the galaxy, which is as follows: 1.
Under the fostering protection of the squire, therefore, the little parson has pursued his studies in peace. Having lived almost entirely among books, and those, too, old books, he is quite ignorant of the world, and his mind is as antiquated as the garden at the Hall, where the flowers are all arranged in formal beds, and the yew-trees clipped into urns and peacocks.
The stern and repulsive aspect of the exterior of the Marchesa Guinigi's palace belied the antique magnificence within. Here an anteroom, with Etruscan urns and fragments of mediaeval sculpture let into the walls, gives access to a great sala, or hall, where Paolo Guinigi entertained the citizens and magnates of Lucca with sumptuous hospitality.
The orchard through which lay his onward progress, occupied a considerable extent of ground, laid out in terraces adorned with marble urns and statues, long bowery walks sheltered by vine-clad trellices, and rows of fruit trees interspersed with many a shadowy clump of the rich evergreen holm-oak, the tufted stone-pine, the clustering arbutus, and smooth-leaved laurestinus.
Meats of rarest bird and beast smoking up amid wreaths of aromatics. The vases filled with apricots and almonds. The baskets piled up with apricots and figs and oranges and pomegranates. Melons tastefully twined with leaves of acacia. The bright waters of Eulæus filling the urns and dropping outside the rim in flashing beads amid the traceries.
Flashed the white robe along the air, And from the tower that beetled there She sprang into the wave; Roused from his throne beneath the waste, Those holy forms the god embraced A god himself their grave! Pleased with his prey, he glides along More blithe the murmured music seems, A gush from unexhausted urns His everlasting streams!
On each side of the steps stood, not classic urns to remind one irresistibly of graveyards, but honest, bright, terracotta, human-looking flower-pots, from which rose or trailed the loveliest plants a skilful gardener could wrest from September.
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