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The golden years of Leo's reign would certainly return, they thought; having no foreknowledge of the tragedy which was so soon to be enacted, first at Rome, and afterwards at Florence, Michelangelo wrote to his friend Topolino at Carrara: "You will have heard that Medici is made Pope; all the world seems to me to be delighted, and I think that here at Florence great things will soon be set on foot in our art.

For Pietro Urbano, of Pistoja, his pupil, was a man of talent, but would never work hard. Antonio Mini had the will but not the brain, and hard wax takes a bad impression. Jacopo l’Indaco and Mineghella were boon companions of the master. A stone-cutter Domenico Fancelli nicknamed Topolino, Pilote the goldsmith, Giuliano Bugiardini the painter, were of this company.

They raised him and Amanda, his half sister. His mother had made a go of it in New England. Only once in awhile would she show signs of her Italian childhood. "Topolino mio," she used to call him when he was little and she'd been partying. He poured a nightcap and put on a tape Coltrane and Johnny Hartman. I'm wasting my life, he thought suddenly. What am I going to do?

You have made him a dwarf, and spoiled the whole figure." "Oh, that is nothing! If there is no other fault, I can easily put that to rights. Leave the matter to me." Michelangelo laughed at the man's simplicity, and went upon his way. Then Topolino took a piece of marble, and cut off the legs of his Mercury below the knees.

According to Vasari, Topolino thought himself an able sculptor, but was in reality extremely feeble. He blocked out a marble Mercury, and begged the great master to pronounce a candid opinion on its merits. "You are a madman, Topolino," replied Michelangelo, "to attempt this art of statuary. Do you not see that your Mercury is too short by more than a third of a cubit from the knees to the feet?

What would not the world give for one of them, even though Michelangelo is said to have burst his sides with laughing at the man's stupidity! Another familiar of the same sort was a certain stone-cutter called Domenico Fancelli, and nicknamed Topolino. From a letter addressed to him by Buonarroti in 1523 it appears that he was regarded as a "very dear friend."