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Technique is the business of the artist; only those who themselves practice an art are qualified to judge in matters of practice. The form is significant to the appreciator only so far as regards its expressiveness and beauty. It is not the function of the critic to tell the artist what his work should be; it is the critic's mission to reveal to the appreciator what the work is.
Further, there are many awkwardnesses of expression which proper training or subsequent practice can eliminate; and in proportion as a writer attains the faculty of instinctively avoiding these, his technique improves. Perfected, he would never use them, and his sentences would flow untaught from his pen in absolutely clear reflection of his thought.
Moreover, some of us, perhaps even Mr Beerbohm, know a good deal about the technique of acting, even if we could not "make-up" Mr Bourchier to look like a costermonger. The actor must be very vain in his conceit who has not had valuable hints concerning his acting from the critics, unless he be one of those who, unlike Mr Bourchier, never read notices yet often complain of an unfavourable one.
Occasionally the oldest son was given some extra land to enable him to pay the expenses for the family ancestral worship. Mobile property, on the other side, was not so strictly regulated and often the oldest son was given preferential treatment in the inheritance. The technique of cultivation underwent some significant changes.
Leaving out of consideration, for the moment, minor though still important distinctions in tone, treatment, and technique, the great fundamental difference between Western and Far Eastern art lies in its attitude toward humanity.
No force will be sufficiently powerful and widespread to redeem industry from its mechanism and materialism save the freed power in every single individual. In order to do this, however, we must go back a little over the educational road to a training of the child's imagination, as well as to his careful equipment with a technique.
These men seemed to have something which he did not have, he thought, a greater breadth of technique, a finer comprehension of color and character, a feeling for the subtleties at the back of life which somehow showed through what they did.
What a loss to our stage the premature death of that admirable novelist, who showed an amazing gift for the technique of the theatre. One reads not unfrequently accounts of an exhibition of this "collective psychology" in the playhouse, even in the London theatres. Some of such accounts are untrustworthy, and due to mere hysterical writing by those who profess to record them.
If we look at the efforts of organized religion we are bound to admit that in thousands of rural parishes, and in many towns too, it is still possible to grow from infancy to old age as a member of church or chapel without once receiving any first-hand teaching on the powers and needs of the soul or the technique of prayer; or obtaining any more help in the great religious difficulties of adolescence than a general invitation to believe, and trust God.
He was testing her rather highly, since the pianoforte score of the suites in question was by no means easy. But, thanks to the wisdom of Patrick Lovell, who had seen to it that she studied under one of the finest masters of the day, she was not a musician by temperament alone, but had also a surprisingly good technique.
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