United States or Luxembourg ? Vote for the TOP Country of the Week !


The cut, copied from an old drawing of the house taken before its entire demotion, at the end of last century, exhibits its quaint characteristics. The bridge foot is to the spectator's right; the church tower behind is that of St. Mary's, also seen in our view of the jail, which would, of course, be seen from the bow-windows of the old inn, in which the Judges met. Vol. i., p. 60.

A fortnight before, park and hills and garden had been deep in snow. Now Nature, eager, and one might think ashamed, was rushing at her neglected work, determined to set the full spring going in a minimum of hours. The grass seemed to be growing, and the trees leafing under the spectator's eyes. There was already a din of cuckoos in the park, and the nesting birds were busy.

How admirable again are the expositions of Shakspeare and Calderon! At the very outset they lay hold of the imagination; and when they have once gained the spectator's interest and sympathy they then bring forward the information necessary for the full understanding of the implied transactions.

The fundamental principle which we recognized for all the other mental states is accordingly no less efficient in the case of the spectator's emotions. The analysis of the mind of the audience must lead, however, to that second group of emotions, those in which the spectator responds to the scenes on the film from the standpoint of his independent affective life.

Alfred Percy, in support of this opinion, cited the example of the Spanish painter, who obliterated certain beautiful silver vases, which he had introduced in a picture of the Lord's Supper, because he found, that at first view, every spectator's eye was caught by these splendid ornaments, and every one extolled their exquisite finish, instead of attending to the great subject of the piece.

The effect is very powerful, and though produced in what modern painters would pronounce an unjustifiable way, there is yet pictorial art enough to reconcile it to the spectator's mind.

The nature of our activities carried us through the area of shell fire, among the batteries and sometimes quite close to the trenches. We were free lances to all intents and purposes and frequently had to hunt out new problems to work upon. In travelling about in the course of our work we saw things more or less from the spectator's standpoint, and there were few things going on that escaped us.

Softly's sonnet and the Spectator's dialogue with the politician who is so zealous for the honour of Lady Q p t s, are excellent specimens of this innocent mischief. Such were Addison's talents for conversation. But his rare gifts were not exhibited to crowds or to strangers.

Human art has its limits, and we must now and then ask a little aid from the spectator's imagination." "You will get no such aid from mine," responds the critic. "I make it a point to see things precisely as they are. But come! go ahead! the stage is waiting!" The showman proceeds. Casting our eyes again over the scene, we perceive that strangers have found their way into the solitary place.

In many places particular groups of trees caught the eye; and especially a cluster of planes and poplars directly at the spectator's feet, close to the edge of the centre lake. They were at their full growth, and they stood there, spreading out their boughs all around them, in fresh and luxuriant strength. To these Edward called his friend's attention.