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Care and fear attack him even in the centre of his battalions: "Re veraque metus hominum curaeque sequaces Nec metuunt sonitus armorum, nee fera tela; Audacterque inter reges, rerumque potentes Versantur, neque fulgorem reverentur ab auro." Do fevers, gout, and apoplexies spare him any more than one of us?
Fit sonitus spumante salo, jamque arva tenebant, Ardentes oculos suffecti sanguine et igni, Sibila lambebant linguis vibrantibus ora! Aeneid, ii. 203-211. We find here realized the first of the three conditions of the sublime that have been mentioned further back, a very powerful natural force, armed for destruction, and ridiculing all resistance.
Doed. says the root of the word is common to the Greek, Latin, and German languages, viz. baren, i.e. fremere, a verb still used by the Batavians, and the noun bar, i.e. carmen, of frequent occurrence in Saxon poetry to this day. Terrent trepidantve. Thus the Batavians perceived, that the sonitus aciei on the part of the Romans was more feeble than their own, and pressed on, as to certain triumph.
Fit sonitus spumante salo, jamque arva tenebant, Ardentes oculos suffecti sanguine et igni, Sibila lambebant linguis vibrantibus ora! Aeneid, ii. 203-211. We find here realized the first of the three conditions of the sublime that have been mentioned further back, a very powerful natural force, armed for destruction, and ridiculing all resistance.
The pronunciation should be vocal that is, there should be some sound, aliquis sonitus verborum, as St. This must be done, not necessarily in a throaty way. The formation of the words clearly with the lips suffices. But writers on this point emphasise the importance of audible recitation as a preventive of slurred, mutilated Latinity, which often leads to careless, or even invalid recitation.
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