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He spoke of the customary guests for concert practice; the music, instrumental and vocal; quartet, duet, solo; and advising the girl to be quick, as she had but twenty-five minutes, he went humming and trilling into his dressing-room. Nesta signalled at her mother's door for permission to enter.

Fraulein's calm voice came almost in a whisper, "Vater unser... der Du bist im Himmel," and the murmuring voices of the girls followed her. Miriam went to bed content, wrapped in music. The theme of Carlo's solo recurred again and again; and every time it brought something of the wonderful light the sense of going forward and forward through space. She fell asleep somewhere outside the world.

What would become of Bowles himself, with all his elegance, pathos, and true feeling? Oh! dear me, James, what a dull, dozing, disjointed, dawdling, dowdy of a drawe would be his muse, in her very best voice and tune, when called upon to get up and sing a solo after the sweet and strong singer of Twickenham! North.

Here again, in a pure matter of the most direct religion, in the intercourse between God and the soul, during a season of recollection, of repentance, of good resolution, of inquiry into vocation, the soul was "sola cum solo;" there was no cloud interposed between the creature and the Object of his faith and love. The command practically enforced was, "My son, give Me thy heart."

The symphony begins with a quiet rhapsody of solo clarinet in wistful minor, clear without chords, though there is a straying into major. There is no accompaniment save a soft roll of drum, and that soon dies away. The rhapsody seems too vague for melody; yet there are motives, one in chief, winding to a pause; here is a new appealing phrase; the ending is in a return to the first.

The authority of the sea and the tropics, the mystery that attends unknown sails, and the prestige of drifting music on moonlit waters gave it an anodynous charm. Johnny Atwood felt it, and thought of Dalesburg; but as soon as Keogh's mind had arrived at a theory concerning the peripatetic solo he sprang to the railing, and his ear-rending yawp fractured the silence of Coralio like a cannon shot.

Later the three melodies come again in the former order, and the big climax of the plaintive episode precedes the end, where the main theme dies down to a whisper. Andante cantabile, con alcuna licenza. After preluding chords in lowest strings a solo horn begins a languishing song, dolce con molto espressione.

Such unisons are shown in the transcription by single notes. No attempt has been made to indicate the several voices. But when such single notes are shown accompanied by the word "solo," it is to be understood that all of the performers have dropped out but one, probably the leader. When the voices split up into parts, it is so notated in the music.

After the reading of scriptural selections, a slim, consumptive-looking youth, with a sympathetic, long-range voice, exquisitely sang a solo, the most effective part of which was: "O Israel, He redeemeth thee."

"Everybody gets hurt once or twice that way," said Gail placidly. "I might as well have the satisfaction of doing it as some other girl." She looked reflectively across at her week-end man, who was just now wrestling with his solo, and obviously wanted to get back to her. "Besides if you don't hurt you get hurt.... Oh, I was a good, sweet, unselfish, considerate young thing once.