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First a swimming lily, Stentor, a solitary animal bloom, twenty-five to the inch; Cothurnia, a double lily, and Gonium, with a quartet of cells clinging tremulously together, progressing unsteadily materially toward the rim of my field of vision in the evolution of earthly life toward sponges, peripatus, ants and man.

By the third day out toward the promised land the two little animals had become firm friends, and the queer quartet walked on and on, as straight as the crow flies, through the valleys and over the hills, wading the creeks and ferrying the rivers, until they awoke one morning without money or breakfast.

They fight; at the first pass Tristan lets the sword drop from his hand and falls wounded to the earth. ACT III. Wagner has described the slow introduction to Beethoven's C sharp minor quartet as the saddest music ever written. If there is anything sadder, it is the instrumental introduction to the third act of Tristan und Isolde.

She has a powerful and brilliant tone, with sweet tenderness and sympathy, which appeal to the soul of the listener, and she confines her repertoire to the highest class of musical compositions. She has recently succeeded Miss Emily Shinner as first violin in the quartet which that talented lady established in England.

Some time ago Miss Lena Ashwell added to the debt of playgoers towards her by installing an admirable string quartet, which rendered real music so well that many people went to her theatre almost as much for the music as for the drama. Alas! the string quartet soon disappeared.

Presently we find such men as Leland Stanford, of the Pacific railroad quartet, and one of the arch-bribers and thieves of the time, entering the United States Senate after debauching the California legislature; George Hearst, a mining magnate, and others of that class.

He had lit a big cigar, and puffed at it as his eyes roved from group to group, resting now on a family party, now on a quartet of lovers, now on two stout men obviously trying to drive a bargain with vigorous rhetoric and emphatic gestures, now on an elderly woman in a shawl spending an hour with her soldier son in placid silence, now on some sailors from a ship in the distant port by the arsenal bent over a game of cards, or a party of workmen talking wages or politics in their shirt-sleeves with flowers above their ears.

Richardson, Fielding, Smollett, and Sterne are the great quartet of English novelists of the last century; but Smollett, in his preface to "Roderick Random," after an admiring allusion to the "Gil Blas" of Le Sage, goes on to say: "The following sheets I have modelled on his plan"; and Sterne was always talking and thinking about Cervantes, and comparing himself to the great Spaniard: "I think there is more laughable humor, with an equal degree of Cervantic satire, if not more, than in the last," he writes of one of his chapters, to "my witty widow, Mrs.

Cordial relations had been established with these gentlemen, dating from the time of selling them the two great works just mentioned. Some of Beethoven's best letters are those written to his publishers. An extract from the letter above referred to follows: "The quartet you shall also receive by the middle of October.

One great cultural value the professional quartet has for the musical community is the fact that it gives a large circle a measure of acquaintance with the mode of thought and style of composers whose symphonic and larger works are often an unknown quantity. This applies to Debussy, Reger, the modern Russians, Bloch and others.