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It is the poet himself who gives expression, in the pathetic and erratic confessions of Solness, to his doubts, his craven timidities, his selfish secrets, and his terror at the uniformity of his "luck."

It is the instinct of self-preservation and self-amelioration which leads to every manifestation of revolt against stereotyped formulas of conduct. Between the excessive ideality of Rebecca and the decadent sterility of Hedda Gabler comes another type, perhaps more sympathetic than either, the master-builder Solness.

So I said "Hello, Halvard Solness!" as I stepped over to where he stood. And he was bright enough to catch it on the wing, for he quoted back to me, still staring up at the tower-head: "From this day forward I will be a free builder." Whereupon I carelessly retorted, "Oh, there's some parts of Ibsen that I despise."

We almost always had guests in our large, roomy house, especially at Christmas and Fair-time, when the house was full, and we kept open table from morning till night." The mind reverts to the majestic old wooden mansions which play so prominent a part in Thomas Krag's novels, or to the house of Mrs. Solness' parents, the burning down of which started the Master-Builder's fortunes.

One may cite as characteristic examples the hurried colloquy between Engstrand and Regina in Ghosts; Rebecca and Madam Helseth in Rosmersholm, watching to see whether Rosmer will cross the mill-race; and in The Master Builder, old Brovik's querulous outburst, immediately followed by the entrance of Solness and his mysterious behaviour towards Kaia.

John Gabriel Borkman dies of heart seizure, resulting from sudden exposure to extreme cold. In the case of Solness and Borkman, death is a quite natural and probable result of the antecedent conditions; and in the case of Eyolf, it is not a way out of the action, but rather the way into it. There remain the three cases of suicide: Rebecca and Rosmer, Hedda Gabler, and Hedvig.

In the conversations between Solness and Hilda much is introduced which is really almost unintelligible unless we take it to be autobiographical. The Master-Builder is one who constructs, not houses, but poems and plays.

But even the few who, like Ibsen's Mrs Solness, have "a genius for nursing the souls of little children" are like angels forced to work in prisons instead of in heaven; and even at that they are mostly underpaid and despised. That friend of mine who went from the hedge schoolmaster to Harrow once saw a schoolmaster rush from an elementary school in pursuit of a boy and strike him.

In all this it would be a mistake to see anything directly autobiographical, although so much in the character and position of Solness may remind us, legitimately enough, of Ibsen himself, and his adventures. The personal record of Ibsen in these years is almost silent. He was growing old and set in his habits. He was growing rich, too, and he surrounded himself with sedentary comforts.

It is such that Ibsen hints at in the Master Builder, when he makes Aline Solness attribute her perpetual black, her somber eyes and smileless lips, not to the death of her two little boys which has come about through the burning of her home, that was a "dispensation of Providence" to which she "bows in submission," but to the destruction of the things which were "mine" "All the old portraits were burnt upon the walls, and all the old silk dresses were burnt that had belonged to the family for generations and generations.