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What is left by way of similarity is a sculpturesque refinement in Sigelgaita's portrait, not unworthy of Pisano's own chisel. This, however, is but a slender point whereon to base so large a pyramid of pure conjecture. Surely we must look elsewhere than at Ravello or at Foggia for the origin of Niccola Pisano. Why then should we reject tradition in this instance? Messrs.
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