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Germain as she sat very still, with heavy- lidded eyes, listening to Senhouse's story. He ended it in these words: "You charmed me, Mary, and you still charm me. You are very sweet, and I shall never want a dearer mate than you might be, if you would. I vow to you that you are the only woman with whom I have wished to live, as we might live if you would.

One must think of N's position in the county." "Venus, wounded in the side ..." is the opening line of an old poem of Senhouse's, one of those "Greek Idylls" with which he made his bow to the world old placid stories illuminated by modern romantic fancy; nursery- rhyme versions, we may call them, of the myths.

Glyde had found out that the less you say to your maltreaters the less, in time, you have to say about it to yourself. He was conscious of his parts and all too ready to be arrogant. Senhouse's goddess had been kind to him, and he had presumed upon that. Senhouse's own method was to alternate extreme friendliness with torrential contempt.

So she put it for the benefit of society; but this had not been her idea of things when she had tumbled into Senhouse's arms nor had it been his. Her ruling idea in these days of disenchantment and discomfort and it was her ruling idea still was to preserve appearances. The great, invincible, fundamental instinct of the class from which she had sprung to keep oneself unspotted by the world.

But she felt the strange reality behind that wild and adoring passion of Jack Senhouse's, which had made him so incalculable a mixture. He advised her, and adored, he received her confidences, and emptied verses out of his heart into her lap. And she had had nothing to give him, who had given her all! All indeed; for now she saw that he had loved her beyond measure, reason, or stint.

But the temptation for the semblance of what was gone was strong and took a subtle form. If she could not have the thing, she would have the thing's name; if she could not be innocent again, she would ape innocency. Prodigal of Pity as she has been, she could say to Senhouse's ghost, I am no more worthy of thee; and from that to being worthy was but a short step.

He was nothing of a mystic, and therefore had his own ideas of what seemed to afford his master so much satisfaction; he was enough of a poet to be sure that Senhouse's romantic raptures were only a makeshift at best. To his mind here was a man aching for a woman. He thought that the poet sang to ease his bleeding heart.

The variation upon the text is Senhouse's own, done in a moment of exasperation over her untiring effort to appear what she was not and did not want to be. She loved the man sincerely; if she had been married to him she would have kept faithfully to his side. But she had no lines; her wedding ring was not of his giving. Without these assurances she simply could not love him. It came to that.

Instead of pursuing, he said abruptly, "I say, you remember Sancie Percival, of course." A change came over Senhouse's aspect which a close observer might have noticed. He was very quiet, hardly moved; but he seemed to be listening with all his senses, listening with every pore of his skin. "Yes," he said, slowly. "Yes, I do; I'm not likely to forget her.