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At Limoges the Bishop of Lucon was obliged to carefully avoid Count Schomberg, commandant of the royal troops, who was not at all in the secret of the negotiation. When he arrived at Angers a fresh difficulty supervened. The most daring, of the queen-mother's domestic advisers, Ruccellai, had conceived a hatred of the bishop, and tried to exclude him from the privy council.
Cimabue's Madonna still hangs in Santa Maria Novella, over the altar of the Ruccellai chapel, and thither many a pilgrim takes his way to honor the memory of the father of modern painting. The throne is a sort of carved armchair, very simple in form, but richly overlaid with gold; the surrounding background is filled with adoring angels.
Richelieu let be, "Certain," as he said, "that they would soon fall back upon him." He was one of the patient as well as ambitious, who can calculate upon success, even afar off, and wait for it. The Duke of Epernon supported him; Ruccellai, defeated, left the queen-mother, taking with him some of her most warmly attached servants.
"No, Niccolo; there I differ from you," said Bernardo Ruccellai: "the Frate has an acute mind, and readily sees what will serve his own ends; but it is not likely that Pagolantonio Soderini, who has had long experience of affairs, and has specially studied the Venetian Council, should be much indebted to a monk for ideas on that subject.
Thus in selecting consorts for his sons, he did not seek the alliance of princes, but for Giovanni chose Corneglia degli Allesandri, and for Piero, Lucrezia de' Tornabuoni. He gave his granddaughters, the children of Piero, Bianca to Guglielmo de' Pazzi, and Nannina to Bernardo Ruccellai.
The queen is very well, thank God. Whilst Richelieu was thus behaving towards the favorite with complaisance and modesty, Mary de' Medici, whose mouthpiece he appeared to be, assumed a different posture, and used different language; she complained bitterly of the slavery and want of money to which she was reduced at Blois; a plot, on the part of both aristocrats and domestics, were contrived by those about her to extricate her; she entered into secret relations with a great, a turbulent, and a malcontent lord, the Duke of Epernon; two Florentine servants, Ruccellai and Vincenti Ludovici, were their go-betweens; and it was agreed that she should escape from Blois and take refuge at Angouleme, a lordship belonging to the Duke of Epernon.
The innumerable artists of the Renaissance remained in hesitation; tried to court both the antique and the modern, to unite the Pagan and the Christian some, like Ghirlandajo, in cold indifference to all but mere artistic science, encrusting marble bacchanals into the walls of the Virgin's paternal house, bringing together, unthinkingly, antique-draped women carrying baskets, and noble Strozzi and Ruccellai ladies with gloved hands folded over their gold brocaded skirts; others, with cheerful and childlike pleasure in both antique and modern, like Benozzo, crowding together half-naked youths and nymphs treading the grapes and scaling the trellise with Florentine magnificos in plaited skirts and starched collars, among the pines, and porticos, the sprawling children, barking dogs, peacocks sunning themselves, and partridges picking up grain, of his Pisan frescoes; yet others using the antique as mere pageant shows, allegorical mummeries, destined to amuse some Duke of Ferrara or Marquis of Mantua, together with the hurdle races of Jews, hags, and riderless donkeys.
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